‘If it was a souvenir… Between shadows and lights.
If it was a fragrance… An almond and floral note developing from bareskin impressions’
White impression: almond, floral impression: heliotrope
Bare skin impression: animal notes, musk and vanilla absolute.
Eau de Parfum Blanche by Alaïa Paris
now in store and online.
The volume that accompanies the exhibition with the same name
at the MOMU Antwerp until 27 August 2017, published by Lannoo.
Edited with the cooperation of Martin Margiela himself, it includes unedited photographs and testimonies.
Prefaces by Suzy Menkes and Kaat Debo, and essays by Rebecca Arnold, Sarah Mower and Vincent Wierink,
the book features a number of interviews including
Sandrine and Pierre-Alexis Dumas, Jenny Meirens, and Patrick Scallon among the others.
Now available at 10 Corso Como Bookshop and online.
10 Corso Como Fragrance
with essence of rose, geranium, sandalwood, oud-wood resin, vetiver and musk
now available in the store and online.
The CHAOS Heart and Pill iPhone Case
for a slim and protective fit now
at 10 Corso Como.
Showcasing twenty-five years of iconic art, fashion, and design
from the New York-based independent publishing experiment that began in 1991,
VISIONAIRE.
Words by cofounders, Cecilia Dean and James Kaliardos
with contribution by Pierre Alexandre de Looz and published by Rizzoli,
this volume is an essential piece of contemporary fashion and media history
in 450 images that traces the shape of things to come.
Visionaire contributors include
photographers Bruce Weber, Nobuyoshi Araki, Mario Sorrenti, Mert and Marcus, Steven Klein, and Steven Meisel;
artists Alex Katz, John Baldessari, KAWS, Marina Abramovic, and Yoko Ono;
designers Karl Lagerfeld, Rei Kawakubo, and Riccardo Tisci;
pop icons Bjork, David Bowie, Kate Moss, Lady Gaga, and Miley Cyrus.
Available exclusively at the Bookshop.
Lobster, Big Froggy, Plant & Crab
Colourful crochet, handmade with love
by Anne-Claire Petit
now at
10 Corso Como and online.
DUST ISSUE #10 METANOIA
now available at the Bookshop.
Contributors:
Niv Acosta, Janet Biehl, Max Von Gumppenberg & Patrick Bienert, Alessio Boni,
Gedvile Bunikyte, Salvatore Caputo, Pierre-Ange Carlotti, Khandro-la Thrinlay Chodon,
Larry Clark, Peter De Potter, Arzu Demir, Yasmina Dexter, Jules Febre, Mac Folkes,
Michele Fossi, Nelida Fuccaro, Pascal Gambarte, Gary Gill, Ursina Gysi, Ursula Hudson, Tony Irvine,
Brett Lloyd, Leon Mark, Xiuhtezcatl Martinez, Antonio Mingot, Ruben Moreira, Andrew Morgan,
Mauricio Nardi, Sandra Pazzaglia, Adina Popescu, Vanessa Reid, Olivier Rizzo, Eugene Rogan,
Casper Sejersen, Rojava Solidarity-NYC, Dan Thawley, Tom Van Dorpe, Willy Vanderperre,
Jana Winderen, Niklas Bildstein Zaar.
Print Magazine Issue 1
Photography by David Sims, Colin Dodgson, Jamie Hawkesworth,
Frank Ocean, Harley Weir, Terry Richardson, Karim Sadli.
Coming with it’s own box and every story in the issue has its own printed companion piece:
pin badges, posters, postcards, a small book / fanzine, rubber band and more.
Now available exclusively
at 10 Corso Como Bookshop.
The latest books documenting the work of Nobuyoshi Araki
are now available at the Galleria Carla Sozzani Bookshop:
Nobuyoshi Araki Monochrome Paradise, A darkly phantasmagorical
realm of flowers, plastic dolls, toy animal figurines,
and more in this series of 75 black-and-white photographs.
Araki, First published as a limited edition and now available as a standard TASCHEN edition,
it’s the ultimate retrospective collection of Nobuyoshi Araki’s work, selected by the artist himself.
Araki Teller Teller Araki, The catalogue of an exhibition held at OstLicht Gallery
featuring a series of works specifically conceived for this initiative
curated by Gerald Matt in cooperation with Hisako Motoo and Juergen Teller himself.
Nobuyoshi Araki: Akt-Tokyo. 1971-1991, A publication that accompanied the exhibition with the same name,
Araki’s first individual show outside Japan and his very first exhibition of retrospective character.
Marvelous Tales of Black Ink by Araki Nobuyoshi & Simon Baker
A book that brings together Araki’s language of photography and his games of Kanji
(Japanese logographic characters) painted directly onto both the surfaces of explicit nudes
and floral compositions
raising the stakes of the symbolic associations between flowers and sexuality.
